The story starts off with small fourteen year old girl Mattie Ross looking to bring her father’s killer to justice. Much like the rest of the characters she comes into contact with, you soon learn how deathly serious and determined she is to do right by her father in one of the most honest, courageous and honour driven adventures you’re likely to see from a little ’un. She’s incredibly capable and independent and soon proves her mettle early when forced to spend the night at the undertakers in the company of the corpses of the men she’s just seen hanged with minimal fuss, and boy can she haggle!
Equipped with determination and a good understanding of the law she goes about hiring a bounty hunter and is presented with a few options. Having sat in on Marshal ‘Rooster’ Cogburn’s latest dressing down for his itchy trigger finger she decides he is the perfect man for the job and makes her approach, but as you’d expect he wants nothing to do with it or her. Enter Mr LaBoeuf the Texas Ranger who reveals he has been in pursuit of the same man for several months for a different crime he committed back in Texas. He tries to reason with her that they are after the same thing, so she should back off and let him do his job, but she is adamant that Tom Chayney will hang for the crime on her father, not some poxy Texas crime that happens to offer a higher reward.
Eventually she persuades the Marshal to take her offer but he is aghast at terms that she goes with him and tries to set off without her. She’s having none of it, and when she sees him on the other side of the river about to depart in union with the Ranger she shows just how adamant she is in a stunt with her newly acquired horse ‘Little Blackie’ that is the first step in winning the Marshal over. Begrudgingly the Ranger agrees to travel as a trio and now with the Marshal’s knowledge of the area as well as the Ranger’s knowledge of the target the adventure can officially begin.
One of the first things I’d say about this film is that it really does take you to another place. At first I found it slightly off-putting that almost every single character seems to be equipped with an abundance of intelligence in the form of quick wit and every conversation felt like an intense standoff and battle of the mind. Okay the girl is a spectacular example but being one of the main characters you’d expect there to be something special about her. Although she is vastly superior the rule seems to spread throughout the characters and even the exchange between her and the little stable boy is far more intellectual than anything you’re likely to eavesdrop on nowadays as you mill about on public transport. The one exception is a scene where there are a couple of kids are aggravating a horse with a stick, but the Marshal soon deals with them in one of the most comic yet understated moments I’ve ever seen on film. (I’m giggling right now as I think back to it.)
As soon as you surrender and allow yourself to become immersed into the story however it’s like being given the key to unlock the colloquial barrier, and phrases and expressions make perfect sense - every conversation had me captivated as I basked in this new language. It truly draws you in and this western world, although based on an actual period of time feels otherworldly yet inviting and desirable.
The chemistry between the main characters is brilliantly done. One of the things that I find impressive about this film is the lack of a true romantic love story. It seems nowadays that one gets slipped in to almost every film just to tick a box. Instead it focuses on a paternal bond that the girl starts to form with the Marshal which is subsidised with similar moments of bonding with the Texas Ranger whenever doubts start to form over whether the Marshal is actually a suitable candidate for the recently vacated position. Obviously there’s a hole in her heart that she is unknowingly trying to fill and this comes across brilliantly.
The relationship between the Ranger and the Marshal is also a highlight. They are reluctant to get on and their constant sparring for superiority of the situation is their own personal bond through one up man ship. This provides hostility and humour, the Ranger walking out on them multiple times and a great scene after the Ranger has been injured where a drunken Marshal sets up a one arm vs. one eye corn bread clay pigeon shoot out. Less ‘mine is bigger than yours’ and more ‘I can make better use of it’. When it matters though they are able to put their squabbles aside in the interests of protecting the girl in that natural ‘do it for the kid’ reasoning. Through joint effort they look out for her safety and a touching honourable exit from ‘Little Blackie’ ensure she makes it out of the film alive.
The three character performances were superb. Jeff Bridges makes an undisputed Marshal and I couldn’t think of anybody who’d have played the role better. I’ve often heard people criticise Matt Damon’s role in a number of films, but I can gladly say his performance as the Texas Ranger shouldn’t be one of them. Hailee Steinfeld’s big screen debut will be hard to top now such was the calibre of her performance. I just hope she can play another role in the future that can measure up to such an impressive start of what I’m sure will be a long and prosperous career. Their on screen chemistry is believable and refreshing and each of them supports each other when one character drops out of the loop to make a perfect trio. Their roles are clear and when the two men start their bickering it is the only time that little Mattie Ross drops her bravado and shows her age, trying her best to patch things up like a kid caught in the crossfire when mummy and daddy start fighting again.
Are you one of those people who don’t like Matt Damon’s acting and want to see Jeff Bridges literally try to rip his tongue out of his mouth? Maybe you want confirmation he’s a bad person and want documented evidence, like say if he were to bend a fourteen year old girl over his knee and give her a good old fashioned spanking? Or perhaps you just want to watch a thoroughly enjoyable western that is unlikely to be topped in a long, long time. In that case I recommend this film to you. The Coen brothers have done a fantastic job.
Showing posts with label film review. Show all posts
Showing posts with label film review. Show all posts
Monday, 1 August 2011
127 Hours - Review - 10/02/11
The first thing I’m going to point out is that I’ve seen this film twice in quick succession. I’ve never done that before and I’m also poor, let that be a measure of how good this film is. I even paid more the second time due to seeing on a weekend, and I didn’t mind.
Going into the film you’d be hard pressed to find anybody who didn’t already know the story and it uses this to its advantage because the whole time you find yourself waiting for THAT moment. It teases brilliantly with the ups and downs of emotion filled scenes and each time his mood plummets you start to think ‘this is the moment’, only to be amazed at the man for finding more resolve and considering he is stuck in one place, how he does it is quite remarkable. That goes for the sceptics too; I was worried the film might consist of flashback after flashback, but there is enough event going on around him to pad it out effectively. Fear not though young bloodthirsty one for it is worth the wait, and the use of sound to go with the visual feast is splendidly horrific.
As you can imagine, in such a situation the film has its darker moments. I found it particularly chilling when Aron starts leaving messages to his parents telling them how much he loved them and apologising to his sister for not making it to her upcoming wedding. The thought of his family watching that footage can tug heartstrings when you think about it more deeply and in one moment he breaks up his current log to scream for help when he thinks he hears somebody. It’s filmed in random bursts and he watches it back on his camcorder in one of the grounding moments of his peril whilst he is still functioning reasonably well. Some more harrowing moments come as his body begins to deteriorate from malnutrition and the hallucinations start to take their toll, but Aron is a survivor and battles admirably through it.
This leads to some of the lighter moments as the best way he deals with the gravity of his circumstances is through humour. It’s deadpan but it lifts the spirits and the film follows suit by replicating the formula with several visual comedic moments, and a particular furry investigator proves to be a welcome recurrence. This is also subsidised by moments of personal triumph, whether that be a new idea for escape (again Danny Boyle’s choice of music provides a highlight) or taking pleasure in the rewards of his surroundings despite the adverse situation he finds himself in. The ultimate motivation for escape comes just when all seems lost. A vision of his unborn son helps him over the finishing line and it’s touching to read in the ‘what happened next’ script at the end of the film that his premonition came true. After all, if he went on to find he could only produce daughters I couldn’t help but feel a little cheated if I was ever in his position.
I genuinely felt like I want to be a better person at the end of this film. Credit must go to the real Aron Ralston for surviving such a horrible ordeal but also to Danny Boyle for recreating it so brilliantly and above all accurately. I also thought James Franco’s performance was superb.
Unfortunately, I don’t think everybody who watches this will feel that new respect for life or appreciation of what they have because some people are idiots. The first time I saw it there were a couple of old ladies who reacted when Aron brought blood to his mouth like he was some barbaric, self afflicting cannibal. The second time, there was a young couple some way to our right. The dude seriously said ‘Hurhur, imagine if he accidentally cut off the wrong arm’… I could not believe it.
But they are few! Everybody else who watches this film will feel as uplifted and inspired as I did, especially enjoying that wave of good feeling that courses through them when the final piece of music comes in, signalling the end of the film and the end of Aron’s ordeal. Go ahead! Live your life and remember, if the going gets tough just follow Aron Ralston’s example and do it for your unborn son! Although it might not be such a good idea to have him watch over as you perform gruesome DIY surgery on yourself; you’re going to create a psychopath.
 |
| I found myself in a similar situation recently. Luckily I was trapped for 125 hours less and saved when the 'rock' was enticed off with the rattling of some cat biscuits. |
Going into the film you’d be hard pressed to find anybody who didn’t already know the story and it uses this to its advantage because the whole time you find yourself waiting for THAT moment. It teases brilliantly with the ups and downs of emotion filled scenes and each time his mood plummets you start to think ‘this is the moment’, only to be amazed at the man for finding more resolve and considering he is stuck in one place, how he does it is quite remarkable. That goes for the sceptics too; I was worried the film might consist of flashback after flashback, but there is enough event going on around him to pad it out effectively. Fear not though young bloodthirsty one for it is worth the wait, and the use of sound to go with the visual feast is splendidly horrific.
As you can imagine, in such a situation the film has its darker moments. I found it particularly chilling when Aron starts leaving messages to his parents telling them how much he loved them and apologising to his sister for not making it to her upcoming wedding. The thought of his family watching that footage can tug heartstrings when you think about it more deeply and in one moment he breaks up his current log to scream for help when he thinks he hears somebody. It’s filmed in random bursts and he watches it back on his camcorder in one of the grounding moments of his peril whilst he is still functioning reasonably well. Some more harrowing moments come as his body begins to deteriorate from malnutrition and the hallucinations start to take their toll, but Aron is a survivor and battles admirably through it.
This leads to some of the lighter moments as the best way he deals with the gravity of his circumstances is through humour. It’s deadpan but it lifts the spirits and the film follows suit by replicating the formula with several visual comedic moments, and a particular furry investigator proves to be a welcome recurrence. This is also subsidised by moments of personal triumph, whether that be a new idea for escape (again Danny Boyle’s choice of music provides a highlight) or taking pleasure in the rewards of his surroundings despite the adverse situation he finds himself in. The ultimate motivation for escape comes just when all seems lost. A vision of his unborn son helps him over the finishing line and it’s touching to read in the ‘what happened next’ script at the end of the film that his premonition came true. After all, if he went on to find he could only produce daughters I couldn’t help but feel a little cheated if I was ever in his position.
I genuinely felt like I want to be a better person at the end of this film. Credit must go to the real Aron Ralston for surviving such a horrible ordeal but also to Danny Boyle for recreating it so brilliantly and above all accurately. I also thought James Franco’s performance was superb.
Unfortunately, I don’t think everybody who watches this will feel that new respect for life or appreciation of what they have because some people are idiots. The first time I saw it there were a couple of old ladies who reacted when Aron brought blood to his mouth like he was some barbaric, self afflicting cannibal. The second time, there was a young couple some way to our right. The dude seriously said ‘Hurhur, imagine if he accidentally cut off the wrong arm’… I could not believe it.
But they are few! Everybody else who watches this film will feel as uplifted and inspired as I did, especially enjoying that wave of good feeling that courses through them when the final piece of music comes in, signalling the end of the film and the end of Aron’s ordeal. Go ahead! Live your life and remember, if the going gets tough just follow Aron Ralston’s example and do it for your unborn son! Although it might not be such a good idea to have him watch over as you perform gruesome DIY surgery on yourself; you’re going to create a psychopath.
Tron: Legacy - Review - 11/01/11
So recently I went to the cinema for the first time in ages. I can’t even remember the last film I saw, and 3D wasn’t even a thing yet. For no reason at all, in a sort of celebration of my trip I thought I’d write a little review! This contains mega spoilers and I am in no way a professional critic so it’s basically nothing more than (and definitely no better than) a rambling. You are in no way obliged to enjoy this!
This was my first experience of 3D and I have to say, I was a little underwhelmed. I got excited when the first thing to jump out at me was the Walt Disney logo, shooting out at the bottom of the screen with a visible trail of just how far it had travelled, but this was to be the peak of my 3D induced euphoria. I don’t know what I was expecting, and leaving it this long to see my first 3D film probably made me build it up too much as well. I know it’s still in its early stages but it did feel like a bit of a gimmick. My friend pointed out that there were certain scenes where the camera angled changed unnecessarily just to then make the moving pieces come towards you. The prime example of this being the scene where Clu discovers Kevin Flynn’s abode and in a fit of rage swipes at the objects on the table. The camera angle changes so that they fly towards you and it just feels a bit cheap, but I think it was a scene transition as well so that may be why it felt a little forced. Most of the time it felt alright, it just wasn’t particularly shocking or exciting. I may not have been helped by the fact the film itself warns that a lot of it is shot in 2D because it was designed to look that way. I spent the first third of the film constantly flicking my 3D glasses on and off to check if there was any difference.
In terms of the actual look of the film I was mightily impressed. It had the whole gamer feel to it and featured a lot of black backgrounds so the neon lights everybody was wearing looked appealing. When the motorbikes start with their bright trails it looks really cool. There was one visual slip that rubbed me up the wrong way however. Okay, so I know that Jeff Bridges was digitally restored to make him look younger and they did a fantastic job, it looked really impressive. The problem for me was that despite how good it looked, it wasn’t quite real enough. There was just something about Clu that whenever he came on the screen I felt like I was watching a cut scene from a computer game and it really started to irritate me after a while. I think the skin was a little too smooth, a friend mentioned the difficulties animating mouths and there was something off with his eyes as well. I know this sounds a bit weird considering it’s a film based on the story of a game but that doesn’t mean the people should look like they’re part of it!
Despite my constant irritation whenever Clu came on screen one of my favourite moments in the film came as he was delivering a motivational speech to his assembled army. I liked how Clu’s speech was like the mirror of when Kevin Flynn was first endorsing the grid, stating ‘In there is a new world! In there is our future! In there is our destiny!’ Instead, Clu adapts it as an invasion speech by only making a few changes. ‘Out there is a new world! Out there is our victory! Out there is our destiny!’ When Kevin Flynn says it, it’s in the back-story of events on a TV monitor and could be easily forgotten or looked over so it’s the kind of thing that could be missed by a lot of people because it was subtle. I found that made it more effective, a quiet pat on the back for the elite few who noticed, which works so well. It was made all the more impressive because Jeff Bridges has a really good gruff voice that spills over into a really manly growl when his character gets angry, ‘Our destiny!’ sounding so impressive it actually tingled the hairs on the back of my neck, like for real. I’m sure most people wouldn’t quite be affected the same way I was, but then unlike a lot of people I can only dream of making my voice sound as coarse, let alone reach that level of volume.
There were little bits spread out all through the film which I think were designed to appease the retro gamers. When Sam Flynn is piloting the machine gun as they flee to the portal there are several ‘Well done’ and ’Nice shot!’ moments when he downs a pursuer. The most notable one for me though is when Kevin Flynn tells his son ‘It’s all in the wrist’. Remember the game would have been around when computer gaming was unfashionable. If that wasn’t the script writers’ cheeky back handed reference to specially designated ‘alone time’ by young, lonely male gamers I’d eat my hat. (Assuming you first bought me a hat, and as long as it didn’t previously belong to one of those gamers.)
One of my favourite scenes was one for the loyalists, not that I am one. I am of course referring to the bike scene that replicated the game. I thought it was really good and looked spectacular. It was inventive in adding the human(ish) element to the game as well, what with the whole trapping a guy in between two bike slipstream things and having him bump about from side to side. I never played the game, but I also liked how adding the human(ishe)s meant adding a bit of story to the situation as well, and for a moment it was nice to see the people working together as a team (even if when Sam Flynn makes the stark realisation it’s a bit cheesy). The only problem was that they were in an arena, and going at top speed on their motorbikes, so there was an element of Mary Poppins’ handbag about it, especially when you consider the game would have had a bird’s eye view and had to fit on a single screen.
Another thing that really annoyed me was when all hope of making it to the portal before it closed seemed lost until Kevin Flynn just happened to notice they’d stumbled into the path of a train that went all the way there without stopping. I don’t mind when characters get a bit of luck, for them to last as long as they do in films like this it would be unfeasible for them not to, and I don’t judge too harshly at the occasional ‘Oh look this character is holding his own in a fight sequence despite having no history of combat training when the other guy has clearly been training for this exact moment’. (Rinzler however had every right to feel aggrieved). It felt like a quick fix to a problem that had been overlooked. A scene where they boarded the train in some sort of stealthy sequence was all it would have needed for me, but the way they chanced upon it with no security despite the fact it went straight to the portal was just too much luck unearned. I don’t care that there was an unexpected obstacle when they walked in on a full military base in the making, they shouldn’t have found the train in the first place.
In terms of the overall story I thought it was good and I enjoyed it. There were a couple of gaps for me because I haven’t seen the first film, so the part of Tron himself was a bit of a mystery to me. Obviously Clu has converted him to the evil team, he’s got the whole orange neon lights over the blue, but I don’t understand why he’s got two disks. Is one just a weapon? Or does it belong to somebody else? If someone could tell me that’d be much appreciated! I do like the whole inner ring being blue though to show you that he’s switched allegiances, very nice. What I don’t like is how easy it was to bring him back to the home team. Purely by telling him to look at himself, see what he’s become yadda yadda, and moments later he’s plunging his jet thingy into Clu to grant our heroes safe passage to the portal, screaming about fighting for the ‘User’. Too cheap for me. The colour on his grid suit changed back to blue as he was in freefall which could either be hinting at a sequel or just acting like a ghost that’s found his peace before he passes on properly and guilt free.
The other thing about the story is that because it’s an ‘epic’, the second half of the film followed a very similar pattern to many a film before it, which can’t be helped in most cases, it’s a logical progression of events. That doesn’t make it bad, it makes it familiar. The hard part is making it all seem original again. I’m going to have to judge that it succumbed to this problem though, in fact one of the first things a friend said as we were leaving the cinema is that we’d just been watching ‘Star Wars’. It was good though, I did enjoy it, and I thought some of the performances were good as well. Jeff Bridges impressed me and I enjoyed Michael Sheen’s cameo as Zuse.
I’m just a man who scribed my thoughts on a film I saw recently, don’t take it too personally okay? ;)
This was my first experience of 3D and I have to say, I was a little underwhelmed. I got excited when the first thing to jump out at me was the Walt Disney logo, shooting out at the bottom of the screen with a visible trail of just how far it had travelled, but this was to be the peak of my 3D induced euphoria. I don’t know what I was expecting, and leaving it this long to see my first 3D film probably made me build it up too much as well. I know it’s still in its early stages but it did feel like a bit of a gimmick. My friend pointed out that there were certain scenes where the camera angled changed unnecessarily just to then make the moving pieces come towards you. The prime example of this being the scene where Clu discovers Kevin Flynn’s abode and in a fit of rage swipes at the objects on the table. The camera angle changes so that they fly towards you and it just feels a bit cheap, but I think it was a scene transition as well so that may be why it felt a little forced. Most of the time it felt alright, it just wasn’t particularly shocking or exciting. I may not have been helped by the fact the film itself warns that a lot of it is shot in 2D because it was designed to look that way. I spent the first third of the film constantly flicking my 3D glasses on and off to check if there was any difference.
In terms of the actual look of the film I was mightily impressed. It had the whole gamer feel to it and featured a lot of black backgrounds so the neon lights everybody was wearing looked appealing. When the motorbikes start with their bright trails it looks really cool. There was one visual slip that rubbed me up the wrong way however. Okay, so I know that Jeff Bridges was digitally restored to make him look younger and they did a fantastic job, it looked really impressive. The problem for me was that despite how good it looked, it wasn’t quite real enough. There was just something about Clu that whenever he came on the screen I felt like I was watching a cut scene from a computer game and it really started to irritate me after a while. I think the skin was a little too smooth, a friend mentioned the difficulties animating mouths and there was something off with his eyes as well. I know this sounds a bit weird considering it’s a film based on the story of a game but that doesn’t mean the people should look like they’re part of it!
Despite my constant irritation whenever Clu came on screen one of my favourite moments in the film came as he was delivering a motivational speech to his assembled army. I liked how Clu’s speech was like the mirror of when Kevin Flynn was first endorsing the grid, stating ‘In there is a new world! In there is our future! In there is our destiny!’ Instead, Clu adapts it as an invasion speech by only making a few changes. ‘Out there is a new world! Out there is our victory! Out there is our destiny!’ When Kevin Flynn says it, it’s in the back-story of events on a TV monitor and could be easily forgotten or looked over so it’s the kind of thing that could be missed by a lot of people because it was subtle. I found that made it more effective, a quiet pat on the back for the elite few who noticed, which works so well. It was made all the more impressive because Jeff Bridges has a really good gruff voice that spills over into a really manly growl when his character gets angry, ‘Our destiny!’ sounding so impressive it actually tingled the hairs on the back of my neck, like for real. I’m sure most people wouldn’t quite be affected the same way I was, but then unlike a lot of people I can only dream of making my voice sound as coarse, let alone reach that level of volume.
There were little bits spread out all through the film which I think were designed to appease the retro gamers. When Sam Flynn is piloting the machine gun as they flee to the portal there are several ‘Well done’ and ’Nice shot!’ moments when he downs a pursuer. The most notable one for me though is when Kevin Flynn tells his son ‘It’s all in the wrist’. Remember the game would have been around when computer gaming was unfashionable. If that wasn’t the script writers’ cheeky back handed reference to specially designated ‘alone time’ by young, lonely male gamers I’d eat my hat. (Assuming you first bought me a hat, and as long as it didn’t previously belong to one of those gamers.)
One of my favourite scenes was one for the loyalists, not that I am one. I am of course referring to the bike scene that replicated the game. I thought it was really good and looked spectacular. It was inventive in adding the human(ish) element to the game as well, what with the whole trapping a guy in between two bike slipstream things and having him bump about from side to side. I never played the game, but I also liked how adding the human(ishe)s meant adding a bit of story to the situation as well, and for a moment it was nice to see the people working together as a team (even if when Sam Flynn makes the stark realisation it’s a bit cheesy). The only problem was that they were in an arena, and going at top speed on their motorbikes, so there was an element of Mary Poppins’ handbag about it, especially when you consider the game would have had a bird’s eye view and had to fit on a single screen.
Another thing that really annoyed me was when all hope of making it to the portal before it closed seemed lost until Kevin Flynn just happened to notice they’d stumbled into the path of a train that went all the way there without stopping. I don’t mind when characters get a bit of luck, for them to last as long as they do in films like this it would be unfeasible for them not to, and I don’t judge too harshly at the occasional ‘Oh look this character is holding his own in a fight sequence despite having no history of combat training when the other guy has clearly been training for this exact moment’. (Rinzler however had every right to feel aggrieved). It felt like a quick fix to a problem that had been overlooked. A scene where they boarded the train in some sort of stealthy sequence was all it would have needed for me, but the way they chanced upon it with no security despite the fact it went straight to the portal was just too much luck unearned. I don’t care that there was an unexpected obstacle when they walked in on a full military base in the making, they shouldn’t have found the train in the first place.
In terms of the overall story I thought it was good and I enjoyed it. There were a couple of gaps for me because I haven’t seen the first film, so the part of Tron himself was a bit of a mystery to me. Obviously Clu has converted him to the evil team, he’s got the whole orange neon lights over the blue, but I don’t understand why he’s got two disks. Is one just a weapon? Or does it belong to somebody else? If someone could tell me that’d be much appreciated! I do like the whole inner ring being blue though to show you that he’s switched allegiances, very nice. What I don’t like is how easy it was to bring him back to the home team. Purely by telling him to look at himself, see what he’s become yadda yadda, and moments later he’s plunging his jet thingy into Clu to grant our heroes safe passage to the portal, screaming about fighting for the ‘User’. Too cheap for me. The colour on his grid suit changed back to blue as he was in freefall which could either be hinting at a sequel or just acting like a ghost that’s found his peace before he passes on properly and guilt free.
The other thing about the story is that because it’s an ‘epic’, the second half of the film followed a very similar pattern to many a film before it, which can’t be helped in most cases, it’s a logical progression of events. That doesn’t make it bad, it makes it familiar. The hard part is making it all seem original again. I’m going to have to judge that it succumbed to this problem though, in fact one of the first things a friend said as we were leaving the cinema is that we’d just been watching ‘Star Wars’. It was good though, I did enjoy it, and I thought some of the performances were good as well. Jeff Bridges impressed me and I enjoyed Michael Sheen’s cameo as Zuse.
I’m just a man who scribed my thoughts on a film I saw recently, don’t take it too personally okay? ;)
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